To the Fullest

To The Fullest: Arthur Russell: 24 to 24 Music

This event has passed.

Program

  • Multiple Performances

  • May 1, 2, and 3 at 8:30pm

About

GRAMMY-nominated orchestral collective Wild Up presents Arthur Russell’s minimalist disco masterwork 24 to 24 Music as part of the To the Fullest festival. Performed a number of times during Russell’s life, this open-form jam for ensemble, percussion, keyboards, and voices bridges the seeming chasm between the new music community of Downtown New York and the popular dance music of the Loft. Premiering at The Kitchen in 1979, the performance included Julius Eastman as performer and assistant to Russell — who also appeared on the later studio recording. Taking a cue from the unexpected dancing that broke out at the premiere, these performances will be presented in a transformed REDCAT theater that evokes the large-scale dance parties of Downtown New York as audiences are encouraged to dance and experience this work fully. Special thanks to writer and historian John Brackett and his work Performing Arthur Russell’s 24 to 24 Music: Historical and Critical Notes, which serves as the foundation for Wild Up’s interpretation of 24 to 24 Music.

Artists

  • Arthur Russell

    Arthur Russell (1951 – 1992) was a cellist, vocalist and composer known for his fusion of classical and popular music.

    Originally from Oskaloosa, Iowa, Arthur traveled to the west coast in 1970 joining a Buddhist commune and studying Indian classical composition at the Ali Akbar Khan College in Marin County. In 1971 Arthur met and performed with Allen Ginsberg who brought him to New York for a recording session produced by John Hammond that also included Bob Dylan, Perry Robinson, and Happy Traum.

    Arthur moved to New York in 1973 to study at the Manhattan School of Music. Quickly gravitating to the then burgeoning downtown music scene, Arthur wrote and performed his minimal compositions, including the bubblegum pop inspired “Instrumentals”, and was music director at the Kitchen in 1974, along with recording his own pop songs for John Hammond. 

    Throughout his life Arthur collaborated with a who’s who of some of New York’s most influential artists including Christian Wolf, John Cage, Peter Gordon, Peter Zummo, Ernie Brooks, Jon Gibson, Mustafa Ahmed, Rhys Chatham, Jill Kroesen, David Byrne, Laurie Anderson, Larry Levan, Phillip Glass, Robert Wilson, Julius Eastman, Arnold Dreyblatt, Walter Gibbons and Phill Niblock. Russell’s music shifted dramatically in 1977 after an unexpected visit to a disco. Inspired by the sonic repetition and sense of community, Arthur wrote and recorded some of the most influential records of the disco era including “Kiss Me Again,” “Is It All Over My Face,” and “Go Bang”. By 1984 Arthur began stretching the boundaries of disco and composition, becoming entranced with echo, and its use in his own songwriting. The completed album, World of Echo combined Arthur’s rich composition skills with echo, feedback, voice and cello, and remains one the most influential documents of the era as a work of timeless beauty.

    When Arthur Russell died from complications due to AIDS in 1992, he left an overwhelming archive of unreleased material that has since been rereleased and compiled by Audika Records in association with Arthur’s partner Tom Lee. As a cellist, songwriter, composer, and disco visionary, Arthur Russell consistently challenged our expectations of what pop music could be.

About Endless Season

Art in LA has long been about freedom and a rich rejection of history. With intersecting methods and intentions, it is humble yet aspirational, creating a city that appeals to the aesthete and mystic in all its citizens. Here, famous artists also double as street-side sign painters, our finest restaurants are located in strip malls, and our landmarks are more geographical than architectural or fleetingly experiential rather than permanent monuments to their lineages. Here, our religious and secular musics sound the same.

Endless Season revolves around these distinct West Coast traits. These programs mark a new chapter, focusing on sustainability and place, and investing in the artists and audiences who make our city vibrant. Together, we encourage, question, reinterpret, and challenge the past, modality, and genre. We hold a space for intersectionality and dialogue surrounding every aspect of our work.

More about Endless Season

Endless Season 2024-2025

Endless Season continues internationally and across Los Angeles, as we embark on a year of festivals, residencies, and deep explorations of sound and those close-to-the-heart feelings that draw us toward one another. We begin by bringing the music of Julius Eastman to Germany at Ruhrtriennale. Then, we look toward the future of society with a weekend of democratic music-making with Democracy Sessions at MOCA Warehouse. In 2025, we untether Darkness Sounding, a festival that explores how listening, sound, and music shape our understanding of the world, from LA to congregate in New York around tuning and droves of medieval harmonies at 92NY. And we explore what it means to live life To The Fullest, celebrating selves brimming with unique righteousness, around the music of Julius Eastman and Arthur Russell in a three-month-long festival with the LA Philharmonic and REDCAT and other partners yet to be announced.