Leilehua Lanzilotti / inti figgis-vizueta

Artists

• Leilehua Lanzilotti

  Leilehua Lanzilotti (b. 1983) is a Kanaka Maoli (Native Hawaiian) composer / sound artist dedicated to the arts of our time. A “leading composer-performer” (The New York Times), Lanzilotti’s work is characterized by expansive explorations of timbre. Lanzilotti’s practice explores radical indigenous contemporaneity by integrating community engagement and ways of knowing into the heart of projects.

  Lanzilotti was honored to be a finalist for the 2022 Pulitzer Prize in Music for with eyes the color of time (string orchestra), which the Pulitzer committee called, “a vibrant composition . . . that distinctly combines experimental string textures and episodes of melting lyricism.”

  Previous honors include a 2023 MacGeorge Fellowship as University Guest Academic within Fine Arts and Music at University of Melbourne, 2021 McKnight Visiting Composer with American Composers Forum, a MAP Fund grant, a National Performance Network Creation & Development Fund grant, a Native Launchpad Artist Award, an OPERA America: Discovery Grant, the New World Symphony BLUE (Build, Learn, Understand and Experiment) Alumni Award, a Bogliasco Foundation Fellowship, an Empowering ʻŌiwi Leadership Award (E OLA), and a First Peoples Fund Artist in Business Leadership Fellow among other accolades.

• inti figgis-vizueta

  NY-based composer inti figgis-vizueta (b.1993) braids a childhood of overlapping immigrant communities and Black-founded Freedom schools—in Chocolate City (DC)—with direct Andean & Irish heritage and a deep connection to the land. “Her music feels sprouted between structures, liberated from certainty and wrought from a language we’d do well to learn” writes The Washington Post. inti’s work explores the transformative power of group improvisation and play, working to reconcile historical aesthetics and experimental practices with trans & Indigenous futures. Recent highlights include the Carnegie Hall premiere of her string quartet concerto, Seven Sides of Fire, written for the Attacca Quartet and American Composers Orchestra, conducted by Mei-Ann Chen; performances of Coradh (bending) by the Spoleto Festival, PODIUM Festival, and Oregon Symphony; and the REDCAT premiere of her evening-length show Music for Transitions, created in collaboration with two-time Grammy Award-winning cellist Andrew Yee, praised as “thrilling” and “revolutionary” by I Care If You Listen. Upcoming projects include Animate Earth for Kronos Quartet’s 50th Anniversary, a new Carnegie Hall-commissioned work for Ensemble Connect, continued development of Earths to Come for vocal ensemble Roomful of Teeth, and a new piano concerto for Conrad Tao and the Cincinnati Symphony, conducted by Matthias Pintscher.